The actual planning for their Naples wedding began three months ahead of the ceremony (though they had been loosely working on it for two years). Having worn traditional white in Vegas, Rodgers volleyed between her Naples wedding-dress colors. At one point she wanted to do pink and red, then white, then not white, then white again. She made her final decision when she found a vintage fall 1992 Vivienne Westwood corset with a baby printed on it at One of a Kind Archive in London three weeks before her actual wedding. “I thought I’d got that white bridal moment out of my system, but apparently there’s plenty more,” she says. “I always had Westwood in mind for my wedding. She’s kind of an obvious wedding choice.” The baby image threw her guests for a loop. “Everyone kept asking me if it was a pregnancy announcement.”
To go with the corset, Rodgers wore a pair of sequined white capri leggings created by Berlin designer Clara Colette Miramon. “She was great because she did it really last minute,” says Rodgers. “Actually, she even had COVID while she was doing it, so I couldn’t really do a fitting. She would place the bag outside of the door, and I would try it on in the hallway. We were COVID couture.”
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